瞻瀛作品展

观詹滢的画作有一种感觉，叫作令人沉醉的危险：如果她再往世俗世界挪动一小步，她会即刻成为大款巨贾追捧的画匠，因为她的画作自带东方神韵中富丽华贵之气质；如果她再往艺术世界挪动小半步，她便回归那历史风尘深处等待三千年后才能被发现的那位许穆夫人，因为她的画作同具东方神韵里高标冷傲之态势。

然而，她却这样定定的、圆圆的屹立在了危崖之沿！又偏又倚，又中又西，又古又今，又内又外，又冷又热，又青又绿，又金又银地立在那里，内外晶莹，通体灵透，使站在她画作前的你，像站在四面开有玄窗的百丈高楼的最顶一间，又是星汉灿烂的夜晚，微风像细腻绵美的锦缎裹着你的肩和臀，玫瑰色，不，琥珀色的一杯夜光杯葡萄酒在手，轻启唇齿，欲饮未啜，直直地被吓在那儿，这时候的背景音乐一定是德彪西的。

噢，到底看到了什么？北宋王希孟青绿山水《千里江山图》前，十八岁的作者那英气逼人的双眸；汉魏石雕元拙大气、浑然沉潜的古风；佛家的悲悯，道家的仙骨，儒家的淳朴，好像还有法家的力度，名家的不苟。不够，不够，请把目光转向西方，转向现代，对西方现代艺术的兼容并蓄有了，与西方现代艺术的碰撞与交融有了，艺术的开放、自由与多元化也有了。

是八面来风的汇聚，是古今穿越的采集，是一颗佛心与圣灵的交融，更是沉于自身心底的反复的搅拌与揣度的均匀。然后，平和了，安详了，心灵了，现代了，百毒不侵了！然后，危险性开始消失，高贵性陡然上升......

张太旗

前言

Preface

There is a feeling when watching Zhan Ying’s paintings, called indulgence danger: if she moves slightly towards material world, she will immediately be chased by the rich and tycoons, for her paintings bearing magnificent and luxurious temperament of Oriental charm; if she moves slightly towards artistic world, she would turn to be Madame Xu Mu who would quietly wait in the historic dusty corner to be recognized after three thousands years, for her paintings also bearing the first-rate lofty status of Oriental charm.

However, she stands by the dangerous Cliffside steadily and firmly！Standing there right and left, Chinese and Western, Ancient and Modern, inside and outside, cold and hot, indigo and green, gold and silver, shining inside out, fully pellucid, which enable you to feel like standing in front of a room with all sides windows at the top layer of a high-rise building. And also like at a night full of twinkling stars, breeze like exquisite and smooth brocade wraps your shoulder and hip. Rose color? No. Amber color wine glowing in the luminous jade cup in hand, slightly open your mouth, refrain yourself from drinking it, being frightened over there，at that time background music should be Debussy’s

Oh, what did I see actually? In front of the masterpiece of the Northern Song’s artist Wang Ximeng《Thousands miles of mountains and rivers》, the young 18 year’s old artist’s bright piercing eyes；the ancient style of generosity and steadiness from Han-Wei Dynasty’s stone carving；Sympathy of Buddhist, immortal of Taoism, unsophisticated of Confucianism，as well as the toughness of Legalism, and conscientiousness of Logicians. Not enough, not enough, please shift your sight to Western world, to Modern times, the inclusiveness to Western Modern Art has embraced, the collision and blend for the Western Modern Art has comprised, the openness, the freedom and diversification of Art has also involved.

It is reunion of blowing wind from all directions, it is gathering of ancient and modern times, it is fusion of Buddha-mind and divine spirit，it is repeatedly blending from deep bottom of heart, and also appropriate consideration. Thereafter, it becomes peaceful, serene, hearty, modern, and invulnerable! And then, danger began to disappear, while nobleness suddenly arises.

zhangtaiqi